The most significant objective of Adobe is that everyone should be creative, and they can. And why not? In Adobe InDesign Review we will discuss how amazing Innovative and Powerful new features in the CC family can nurture anyone’s creativity within seconds.
InDesign CC 2020, Adobe’s acclaimed page composition program fits right in with this strategy. As always it has maintained the class and standard that Adobe always provides in its software. It has got some really advancing capability of design software, especially when it comes to the user experience.
Adobe InDesign accelerates workflows, liberates creativity, and encourages exploration of the graphic design world. All while motivating us to embrace immersive new media at the same time. There have been big changes in Adobe fonts, automatic layout adjustment. And a smart new Properties panel are just a few of the specific updates that make InDesign feel refreshed. The new version comes with more than enough exciting features. Let’s get into it!!
Layout and Features
You may have experienced scenarios where your client in the fourth round of photo edits told you that they need to change the page size or orientation of your document. Of course, you have! With the latest InDesign. It doesn’t have to be the time-consuming grunt work that it used to be, thanks to the new Adjust Layout feature.
So, you should be curious about what’s the difference between InDesign’s new Adjust Layout and the Liquid Layout and Alternate Layouts tools introduced in CS6.
Don’t think anymore, the answer is here.
Liquid Layout facilitates the process where you are tasked with designing alternative layouts to handle multiple page sizes by allowing you to create and apply specific rules such as centering, scaling, and guide- and object-based. The instructions are about the mechanics of how those changes adapt to various page situations. It can be of various types such as semi- or fully automatic.
While Alternate Layouts can be used along with the Liquid Layout, The former feature is primarily geared for digital or print publication projects. They require different layouts within the document, due to which it has been organized in such away. Both the systems reduce the manual work required for laying out every page in a document a second time. Or even a third or fourth time.
Adjust Layouts is the new normal in this season of adaptive and responsive page-design tools. You can reach for it when you need to amend the page properties such as size, bleeds, and margins of a document. Obviously, this is applied after text and images are already in place.
You no longer need to live through yesterday’s boring and tedious madness of page-by-page manual adjustment via the Document Setup or Margins and Columns pulldown.
Today, you have the in-app options presented just by accessing that Document Setup menu and clicking Adjust Layout.
There are several functions you can make great use of. Some of them are:-
- You can change the global page,
- You can change the Margin
- Changing Bleed measurements is also possible
- Even the font size can be changed.
You can also find another Adjust Layout option in the Margins and Columns dialog box to further assist with your reconfiguration requirements.
Of course, the discriminating designer can expect to make a few trials and perform tweaks. But the new Adjust Layout feature can save you time. And agita the next time you need to adjust the page. Or spread the layout of an entire document.
Adobe as the pioneer of digital type for the Macintosh was early to the font scene with the 1988 launch of its must-have. Tabloid-sized quarterly magazine and font catalog, Font&Function. Whenever we have come across common people interested in designing, they ask this question: “Can a designer who loves good type, good design, and good taste find happiness on a desktop?”
Today it’s easy to answer in the affirmative. Back then, designers would need to call the distributor to find the nearest dealer, phone in the order to the dealer, wait eagerly by the mailbox for their font to arrive on a set of floppy disks, before finally answering that, yes, fonts worked on the desktop. And when you go through these many steps or procedures, it becomes very tedious and in the end, you may lose interest. It becomes really difficult to work after so much complicacy. But you don’t have to worry about these things now.
Three decades later in the present, working with type has just become more exciting, with the newly named Adobe Fonts (formerly TypeKit). Within InDesign, the subscribers have unlimited access to the entire Adobe font library in both screen and downloadable desktop formats. Pretty amazing, right?
Added to that are numerous updated Character Panel’s real-time visual font browsing (seeing your highlighted text displayed in the actual font) and improved search. This means that when you engage the pull-down font menu. You see the fonts installed on your computer—as well as if you like, the more than 14,000 fonts in the Adobe library. Now we can sort and filter font attributes, classifications, starred favorites. Or recently used categories to find—or discover—just what we have in mind.
With Adobe InDesign, designing is now everyone’s cup of tea!
As always, with the arrival of its new version. Adobe maintains its classy standard and makes it more reliable to work with. Try it out and you are definitely going to love it.
Comment your experience down in the comment section!